• Weeks 255-256

    20 November 2017

    Two weeks with some time off in the middle.

    Selworthy is settling into a bit of a rhythm now. Reviewed some pull requests, discussed architecture, fettled some infrastructure, and found time to review how the renderer works and tweak the way we’re using FFmpeg on it. Up and down the stack like a yo-yo, but we’re seeing some sizeable features being released much more quickly.

    Some prototypes arrived for new Longcrag/Foxfield products from Aisler. I’d been seeing how Aisler compared to OSHpark, who for me, are still the gold-standard for prototyping. (Mainly because: their software tooling is clear and excellent, and their turnaround times, despite posting from the US, are about the fastest I’ve found). Aisler have pretty good tooling and previews (despite a confusing checkout process) and the turnaround time was comparable to OSH. I’d hoped being in Europe it’d be a tad faster, but it worked out about the same. Still, very high quality boards.

    I built up the prototypes and they worked well – in that they worked, were clear to build, and had almost no silking errors on my part. So that means I’ve got three new products to get out early next year – there’s still documentation to write, BOMs to get made up, and see if the wholesaler will take them. That also means that once some admin around them is done, I can return to the Arm prototype I was working on a few weeks ago.

    On Lowick, I started conversations about the content of the course and what I’d need to get done. I also started phoning and emailing colleagues from across – and outside – the technology industry to see if I can get them involved. That seems to be going alright.

    In the middle of the fortnight, I went out to Berlin for Ableton Loop. I really enjoyed Loop last year; I equivocated a little about going this year, but then remembered how it left me feeling, and that made it a no-brainer. A good few days: met some new folks – perhaps even made some new friends; went to some great sessions (especially the electro-acoustics and haptics sessions); saw some great artists perform; played a bit of music myself; and put my brain into a different context. It’s an engaging, thought-provovking event that’s well-run, and so very different to many of the contexts I’m usually in. It was thought-provoking as a designer and instrument-maker; challenging as a musician; but it was also a bit of fresh-air, warm, welcoming, open; good for my head. I can recommend going to event and conference that might be more tangential to your practice than you’re used to: with any luck, it’ll probably provoke far more new ideas than what might pass as rearranging the furniture.