• Weeks 159-160

    16 December 2015

    The penultimate weeknotes of the year – and late they are, owing to end-of-year busyness. But nontheless, what happened?

    Selworthy continued with its lick of polish: I started tidying up some UI interactions, and tidying some features. I also got slightly sidetracked with an issue with Redis on one of our staging boxes, which ate some time, but was swiftly resolved thanks to the investment I'd put into Ansible earlier in the year. So that was a relief.

    Roshill, the puzzle I'm building for Oubliette, moved forward quite a lot: we integrated the mechanical components (primarily stepper motors) and I debugged most of the electronic issues – much of which came down to needing some pull-downs, and ensuring the security of various connections. It's nearly completed, and in the final weeks of the year we'll install it in the space.

    I spent a couple of days working on exploring some data and sketching in code with George over at Good, Form and Spectacle. An interesting few days; some careful exploration of a relatively small dataset led to insight from even the smallest of our interventions, and it was great to work with George again.

    MV Works kicked off with the chance to meet the rest of the cohort and get a feel for the space and the project. Fun to meet so many people properly, and various plans have already started forming. I ordered some initial components to test my new hardware plans with, and also began planning an overhaul of the code. Oh, and I kicked off a Tumblr notebook for the project, to act as both a scrapbook of things we're interested in and a place to store work in progress. I'll no doubt continue to write weeknotes around it, but it's also nice to just have a rolling scrapbook to post to.

    Tangentially, I had an interesting Skype conversation with Dean Taylor. Dean wanted to sound out ideas around interaction design and sound production, and we ended up having a really interesting chat about all manner of things – but in particular, what I've taken to calling instrumentness; it was really handy as a way of framing my thoughts for Twinklr a little.

    And finally: a studio move to fit around all that. I'm no longer in East London, but based out of Makerversity in Somerset House, just off the Strand. (I'm still with studiomates PAN, though). It's a great space, and has wonderful facilities and people; looking forward to spending time there.