23 June 2017
Some small news, and then the big news.
Over on Selworthy, I continued to work on wrangling ffmpeg and some arithmetic that’s going to to be part of a bit of an overhaul. Looking back on commits, progress feels slower than earlier. That’s because I’m doing a lot of measuring-twice before the cutting-once of a fairly sizeable change to some of the key underlying assumptions of the product. At the end of that work, very little will have changed on the surface – but the little that has will be a key improvement. It goes beyond what I’d call a refactoring given its scope and scale. But that’s my main focus there.
On Wapley, I spent a little time with Richard running simultaneous demos on a variety of devices whilst on a Skype chat to confirm and debug some issues. We managed to break the back of a few things that were causing issues and I think that work is all good to go.
Empathy Deck got a quick refresh with some new content and graphics work from Erica, and was redeployed into the world.
And Longcrag launched.
Longcrag has been the codename for Foxfield Instruments, a small imprint I’ve set up to sell electronic musical instruments and kits.
Our first four products are a set of “1U tile” utilities for the Eurorack modular synthesizer format, and they’re available to buy right now as DIY kits from Thonk.
Even though they’re kits – PCB, panel, components and instructions – there’s been a lot of learning in bringing these into the world: scaling up PCB manufacture; considering packaging and documentation; streamlining the production/kitting process; handling mistakes when they come up. They’ve also been through a number of redesigns as they go from “works for me” to “buildable by anyone”.
The first products have, in my head, been finished since January, but there’s been several iterations since to nail the buildability, the panel design, and find an appropriate manufacturer for the PCBs and panels. Now they’re in the world, I think future products will be a bit faster – I have about seven prototypes arriving and hope to show off a few at Brighton Modular – depending on which ones function and which are Any Good At All™.
Why imprint? Well: it’s very much a side-project. A project, yes, and a conflux of things I care about – music, tool-making, interaction – but it runs alongisde my client work and projects, and perhaps at a different pace to a company. For now, more like a record label than an electronics startup.
I want to give a little back to the synth DIY community I’ve learned so much from, and I want to continue to explore instrumentiness and interaction under this label. At the same time; I’d also like to find things other people enjoy using. I got some feedback from a musician on a new prototype recently, and hearing another player come to their own uses and ideas for what to do with a thing – validating my belief that people might find it useful – was hugely rewarding.
Things to make music with is a space I previously explored in Twinklr, and it’s a space I’m going to continue exploring, be it through Foxfield or otherwise.
Product in the world, shipping. Onwards. (Well, onwards to week 235, which was a week off).